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The result is a Batman movie unlike any other that demands your attention, not solely as a blockbuster, but as an exploration of losing oneself to one’s worst tendencies and how those who would seek to exploit that self-doubt can be incidentally enabled.

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Matt Reeves takes Bruce Wayne to new, more subdued places than any incarnation has concerned itself with and knows how to use Robert Pattinson’s strengths to raise the drama when needed or just let the world itself breathe.

While I certainly don’t disagree, I think that’s downplaying what’s on screen. I've seen the takes floating around that ‘The Batman’ is a phenomenal adaptation but lacks as a cohesive film.

There’s a lot in the subplots that the movie like to throw at you, and a certain point you may just want to get to the action pieces (they are there and they're exhilarating), even if I still think the movie’s pacing helps a lot with that aspect. Not that it’s bad by any means, but this is a nearly three-hour noir story, and the graphic novel-style approach Reeves and co-writer Peter Craig utilize can be a bit much. My one significant qualm with Reeves’ approach is some of the writing. It also benefits from across-the-board greatness in the supporting cast, ranging from Zoe Kravitz’ focused portrayal of Catwoman, to Jeffrey Wright’s gritty morality of Jim Gordon, to Paul Dano’s increasingly unhinged (and just contemporary enough) intelligence to Riddler’s schemes. And that doesn’t even touch on Riddler, who becomes a reflection of the things Bruce perceives as weaknesses, even if more and more of Gotham demand that humanity from their leaders. It’s an approach that feels incredibly sheltered but becomes all the more fascinating as those doses of humanity peak through the mission statement that is Batman. Pattinson leans into Batman’s more obsessive and physical angles with ease, but only in his moments as Bruce Wayne does the character’s arc take shape. He’s in Dave Crossman and Glynn Dillon’s bat suit maybe more than any actor has and is salivating at the opportunities it presents. How many of us would’ve predicted Robert Pattinson’s maverick of an arthouse turn in the years since 'Twilight?' Or that he’d make his return to mainstream blockbusters with a character as populist and seemingly well-defined as Batman? Or that sure thing Ben Affleck would step aside from his vision and pass it on to Matt Reeves, who has had his own creative peak with ‘Planet of the Apes’ and suddenly redefined the character’s very place in terms of DC’s film slate?Ībout a half an hour in, I realized exactly why Robert Pattinson was attracted to the role. I suppose my point (if there is any) is to point out the often-absurd nature of expectations, fan or otherwise. But even for its flaws made apparent, the Batman legacy made it mostly immune to any questions of what next or who gets to tell that story, let alone its complete antithesis to 'Twilight's 'image' amongst moviegoers. It was Christopher Nolan's bold (if imperfect) climax to a re-introduction of the character a lot of audiences simply weren't expecting. For me, 2012 was the year I started exploring comic books and their adaptations more seriously, and TDKR was no small part. The former, however, is a different story. Try and use textured wallpaper or materials with natural patterns and designs, or materials made with natural materials, to add to that feeling of being outdoors. Plants clean the air, calm the spirits, and create a positive sensory environment for you to live in. It means having more live plants within your home. It means using multi-panel doors or keeping your curtains open during the day. This means having wider windors to draw in more natural light. So, the first thing to do is disrupt the rupture between the indoors and outdoors. In fact, scientists believe that biophilic designs help reduce stress and alleviate anxiety. Biophilic designs are environmentally friendly, and they give your brain lots of positive, calming and refreshing cues that make you feel much happier, more focused, and healthier.

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